Current & Fortcoming Exhibitions

Sunday 7 April at 11am
Presentation talk by the artist on The Crying Game prints

07|04 > 05|05|2019
Marcelle Hanselaar, Nele Boudry, Frances Aviva Blane, Eddie Panier en Anton Kannemeyer.
De Queeste Art
Trappistenweg 54
BE 8978 Abele/Watou, Belgium

tel: +32 (0)57 33 48 72

25 > 28|04|2019
London Original Print Fair 2019
with Julian Page, stand 45

Royal Academy of Arts
Burlington House Piccadilly, W1J 0BD, Londres

Wednesday 24 April 5:30-8:30pm, PV Invite only
Thursday 25 April 10am–9pm
Friday 26 April 10am–9pm
Saturday 27 April 10am–6pm
Sunday 28 April 10am–6pm

01|04 > 16|12|2019
International printmakers
Galleri Heike Arndt DK
4892 Kettinge (Denmark)
Raagelundevej 7-9

02|05 > 15|06|2019
PV: Wednesday 1 May, 6-8pm
Julian Page will be curating
Points of Contact, a survey of seventy years of printmaking in Britain.

Pied Bull Yard – Access Via Bury Place
68/69 Great Russell St

Open: Wed-Fri, 10:30-5:30

09 > 26|05|2019
The Female Nude: Ways of Seeing
Curated by students in History of Art, this exhibition will challenge the representation of the female unclothed body in printmaking
Studio 3 Gallery, University of Kent, School of Arts
Jarman Building
Canterbury, CT2 7UG

22|09|2020 – 10|01|2021
Voices of Protest
The Crying Game prints
Marcelle Hanselaar with prints by Otto Dix, Francisco Goya, Jean Rustin, Leo Haas
Shiba Gallery
The Fitzwilliam Museum
Trumpington St, Cambridge CB2 1RB

This exhibition will showcase The Crying Game (2015-17), a set of prints by Marcelle Hanselaar, in whose work the human capacity for intolerance and aggression is laid unflinchingly bare. Hanselaar uses the inherent ferocity of the scored etched line to confront such disparate images as the conflicts and destruction in the Middle East, the plight of refugees, child soldiers, slavery and drug addiction. The thirty etchings that make up The Crying Game will be interspersed with prints by earlier artists in the Fitzwilliam Museum’s collection, some of whom have been her greatest influences: Francisco Goya (1746-1828), who documented the cruelty of the Spanish Peninsular War (1808-14) and Otto Dix (1891-1969), as well as Leo Haas (1901-1983) and Jean Rustin (1928-2013), who witnessed atrocities of World War II and the Nazi holocaust. Hanselaar’s work adds a female perspective and makes a significant contribution to Fitzwilliam’s growing collection of prints relating to war and conflict. Juxtaposed in this way, showing a long history of violence as documented by artists, Hanselaar’s prints address issues of shock and provocation and confront the ethical responsibilities of being an observer in a world riddled with horror and violence.