Current & Fortcoming Exhibitions

06|10|2020 > 03|01|2021
Summer Exhibition 2020
RA of Arts, Main Galleries , no 705
Piccadilly, London
www: Royal Academy of Arts Summer Exhibition 2020

21|11|2020 > 07|03|2021
168 Annual Open Exhibition
RWA Bristol
Queen’s Road, Clifton Bristol BS8 1PX
www: RWA 168 Annual Open Exhibition

12 > 22|11|2020
Women’s Lockdown Art
Zabludowicz Collection
Prince of Wales Road, London
www: to book a time slot at Zabludowicz Collection

Online: Thursday 26 November – Friday 25 December 2020

Work will be available to view and purchase from 8 p.m. on Thursday 26 November.
Half the proceeds of sales will go to Women + Health, a Camden based health charity that helps isolated and vulnerable women,
including those who are survivors of domestic violence and rape, to overcome their multiple health challenges.
www: Women’s Lockdown Art Fundraising Exhibition

12 > 15|11|2020 ONLINE
Woolwich Contemporary Print Fair, With Julian Page
No 1 Street
London SE18 6ST
www: Julian Page
www: Woolwich Contemporary Print Fair

19|09|2020 > 02|01|2021
Newlyn Art Gallery
New Road, Newlyn, TR18 5PZ
www: Newlyn Art Gallery

08|05|2021 > 30|05|202
Long is the road – Marcelle Hansellar new paintings
Arundel Contemporary
53 High Street, Arundel, BN18 9AJ
www: Arundel Contemporary

mid-September to mid-November 2021
Triennale de Gravure de Liège 2020/21
1st Triennial of Contemporary Prints of Liège
La Boverie, Parc de la Boverie 4020 Liège, Belgique
www: La Boverie

07|10|2021 > 03|01|2022
Museum de Reede
Permanent Munch, Goya Rops
Marcelle Hanselaar , Graphic oeuvre

Ernest van Dijckkaai 7,
2000 Antwerpen, Belgium
www: Museum de Reede

22|09|2020 – 10|01|2021
Voices of Protest
The Crying Game prints
Marcelle Hanselaar with prints by Otto Dix, Francisco Goya, Jean Rustin, Leo Haas
Shiba Gallery
The Fitzwilliam Museum
Trumpington St, Cambridge CB2 1RB

This exhibition will showcase The Crying Game (2015-17), a set of prints by Marcelle Hanselaar, in whose work the human capacity for intolerance and aggression is laid unflinchingly bare. Hanselaar uses the inherent ferocity of the scored etched line to confront such disparate images as the conflicts and destruction in the Middle East, the plight of refugees, child soldiers, slavery and drug addiction. The thirty etchings that make up The Crying Game will be interspersed with prints by earlier artists in the Fitzwilliam Museum’s collection, some of whom have been her greatest influences: Francisco Goya (1746-1828), who documented the cruelty of the Spanish Peninsular War (1808-14) and Otto Dix (1891-1969), as well as Leo Haas (1901-1983) and Jean Rustin (1928-2013), who witnessed atrocities of World War II and the Nazi holocaust. Hanselaar’s work adds a female perspective and makes a significant contribution to Fitzwilliam’s growing collection of prints relating to war and conflict. Juxtaposed in this way, showing a long history of violence as documented by artists, Hanselaar’s prints address issues of shock and provocation and confront the ethical responsibilities of being an observer in a world riddled with horror and violence.