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NEWS

Current & Forthcoming Exhibitions

 

23 July-7 august 2022
8th International Lithographic Symposium
Lithographic Academy, Grafiska verkstaden
Vulcans väg 3
522 34 Tidaholm, Sweden
http://lithonet.se/internationella-litografiska-symposiet-2022/symposium-2022-eng/

4 August – 14 August 2022
Private View event on 4 August, hosted by Cob Director Victoria Williams, Women + Health and art historian Frances Borzello.
Summer fundraising exhibition run in collaboration between Cob Gallery, Zabludowicz Collection
held at Cob Gallery to raise funds for the Camden-based charity Women+Health
Cob Gallery
205 Royal College Street
London NW1 0SG
+ 44 (0) 207 209 9110
Open: Thursday-Saturday 12-6pm

27 August to 20 November 2022
International Biennial Print Exhibit: 2022 R.O.C..
The National Taiwan Museum of Fine Arts
2 SEC. 1, WU CHUAN W. RD
TAICHUNG 403 TAIWAN, R.O.C.


29 Sept -2 October
British Art Fair 2022/Julian Page
Saatchi Gallery
Duke of York Square, Kings Road London SW3 4RY
Thursday 29 Sept 12-9.30pm
Collectors Preview Friday 30 September 11 am-8pm
Saturday 1 October 11 am-8 pm
Sun 2 October 11 am-6 pm
https://www.britishartfair.co.uk/exhibitors-2022

3-6 November 2022.
Woolwich Print Fair with Julian Page
The Fireworks Factory
No.1 Street, Royal Arsenal, Woolwich, London, SE18 6HD
https://www.woolwichprintfair.com/exhibitor

2 September 2022 – 3 October 2022 (Opening Friday 1 Sept.)
The 21th international Biennale «Petit Format de Papier
Cultural Centre Action Sud, Nismes


9 Oct. — 31 Dec. 2022 (Opening Nuit Blanche Saturday 8 Oct.)
The 21th international Biennale «Petit Format de Papier.
Musée de l’Ardenne, Charleville-Mézières (F)

 


Postponed due to Covid to end of 2022, beginning 2023
Voices of Protest
The Crying Game prints
Marcelle Hanselaar with prints by Otto Dix, Francisco Goya, Jean Rustin, Leo Haas
Shiba Gallery
The Fitzwilliam Museum
Trumpington St, Cambridge CB2 1RB
This exhibition will showcase The Crying Game (2015-17), a set of prints by Marcelle Hanselaar, in whose work the human capacity for intolerance and aggression is laid unflinchingly bare. Hanselaar uses the inherent ferocity of the scored etched line to confront such disparate images as the conflicts and destruction in the Middle East, the plight of refugees, child soldiers, slavery and drug addiction. The thirty etchings that make up The Crying Game will be interspersed with prints by earlier artists in the Fitzwilliam Museum’s collection, some of whom have been her greatest influences: Francisco Goya (1746-1828), who documented the cruelty of the Spanish Peninsular War (1808-14) and Otto Dix (1891-1969), as well as Leo Haas (1901-1983) and Jean Rustin (1928-2013), who witnessed atrocities of World War II and the Nazi holocaust. Hanselaar’s work adds a female perspective and makes a significant contribution to Fitzwilliam’s growing collection of prints relating to war and conflict. Juxtaposed in this way, showing a long history of violence as documented by artists, Hanselaar’s prints address issues of shock and provocation and confront the ethical responsibilities of being an observer in a world riddled with horror and violence.